
About
Blythe believes in work that is subversive, sophisticated, frank and joyful.
She stages thrilling, colourful, socially resonant theatre, developing the ideas of the UK’s most exciting artists.
The final scene is one I couldn't look away from. It is a moment
where Blythe Stewart's direction and Siân's words weave together seamlessly and I'm holding my breath thinking back on it now.
WORK BITCH, A Younger Theatre ★★★★
Favourite things at the moment...
Hunting out poems. Love a Imtiaz Dharker verse
Learning DIY skills
Listening to Olivia Dean, Wolf Alice, Joni Mitchell,
Reading Transit by Rachel Cusks, My Cousin Rachel by Daphne Du Maurier, & The Wall by Marlen Haushofer,
Telly: Reservation Dogs, Alma's Not Normal, Giri/Haji, Unorthodox, Derry Girls, The Traitors
Plays: Angels in America, We Are Proud to Present, Eurydice, The Flick, All My Sons, Far Away, The Welkin, Macbeth, Cabaret, Passion
Currently
The Enormous Crocodile The Musical, Touring UK Summer 2026
Book Tickets HERE
Upcoming...
Legally Blonde The Musical, Mountview Academy of the Arts
Before that...
Director, Make Me by Molly Naylor, HighTide Theatre
Associate Director, 101 Dalmatians the Musical, UK Tour
Associate Director, Minority Report by David Haig, Lyric Hammersmith
Associate Director, The Crucible, West End Transfer, Gielgud Theatre
Director, Teenage Dick, Schools Tour for Donmar Warehouse
Director, Work Bitch by Jessica Siân, for VAULT Festival
Director, Finding Fassbender by Lydia Larson, at Edinburgh Fringe
Director, Skin A Cat by Isley Lynn, UK Tour






















