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About

Blythe believes in work that is subversive, sophisticated, frank and joyful. 

She stages thrilling, colourful, socially resonant theatre, developing the ideas of the UK’s most exciting artists. 

The final scene is one I couldn't look away from. It is a moment

where Blythe Stewart's direction and Siân's words weave together seamlessly and I'm holding my breath thinking back on it now.

WORK BITCH,  A Younger Theatre ★★★★   

Favourite things at the moment...

Hunting out poems. Love a Imtiaz Dharker verse

Learning DIY skills 

Listening to Olivia Dean, Wolf Alice, Joni Mitchell,  

Reading Transit by Rachel Cusks, My Cousin Rachel by Daphne Du Maurier, & The Wall by Marlen Haushofer, 

Telly: Reservation Dogs, Alma's Not Normal, Giri/Haji, Unorthodox, Derry Girls, The Traitors

Plays: Angels in America, We Are Proud to Present, Eurydice, The Flick, All My Sons, Far Away, The Welkin, Macbeth, Cabaret, Passion 

Currently

The Enormous Crocodile The Musical, Touring UK Summer 2026 

Book Tickets HERE​​​

 

Upcoming... 

Legally Blonde The MusicalMountview Academy of the Arts

Before that...

Director, Make Me by Molly Naylor, HighTide Theatre

Associate Director, 101 Dalmatians the Musical, UK Tour

Associate Director, Minority Report by David Haig,  Lyric Hammersmith  

Associate Director, The Crucible, West End Transfer, Gielgud Theatre

Director, Teenage Dick, Schools Tour for Donmar Warehouse

Director, Work Bitch by Jessica Siân, for VAULT Festival

Director, Finding Fassbender by Lydia Larson, at Edinburgh Fringe

Director, Skin A Cat by Isley Lynn, UK Tour 

CV

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